The Null Device

Much has been said about the alleged epidemic of random alcohol-fuelled violence outside Melbourne's night spots and its possible causes. Now, The Age's Fiona Scott-Norman suggests that it might be due to the boom in venues playing house music, once confined to Chapel Street, but now part of every venue aiming for the cashed-up-bogan dollar; in particular, to house music being poorly suited for facilitating social interaction:

And then there's house music. It's pretty much the ultimate "anti-romance" music. It's played loud, it's repetitive, it's not fun, it's unremarkable and unmemorable — even if you can make yourself heard over the top, it gives you nothing to talk about, and appears to be the first music ever created by humankind that bypasses the emotions. Again, fine if your aim is to dance like a maniac until 6am, or whenever you start coming down, but truly terrible if you're not on chemicals.

So the clubs are chock-full of young folk who can't talk to each other, can't touch each other, have zero opportunity for intimacy, and can only dance in their own little world and hope someone's looking at their booty. The only tools in their seriously denuded seduction kit are alcohol and shouting. So yet another night ends, they're disconnected and frustrated, back on the streets, and totally hammered. Gee, I wonder why there's so much violence.

Playing almost any other kind of music would reduce street violence. Doesn't matter if it's disco, funk, yacht rock, indie pop, Mongolian throat-singing, gypsy punk, neo-lounge or Latin, so long as it's not joyless, thumping background music.

(via M+N) ¶ crime culture house music melbourne music society violence 12